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ghostbusters 2 characters

ghostbusters 2 characters

What Jack didn't tell them was that the people down town work for the Parkview Psychiatric Hospital, an insane asylum. [13] After this, the film was rushed into production, with shooting scheduled for summer 1988 in anticipation of a mid-1989 release. [76], John Goodson and Jeff Olson of the ILM model shop used photographs and videotape of the Titanic to build a replica of the ship in plywood and urethane. An animated tongue was added later. For the second take, the extras increased to 1200. [6] Principal photography began in November 1988, in New York City. You can [43] The possessed bathtub started as a bubble-bath monster that would appear to have thousands of eyes in each bubble; it is destroyed when Dana drops her hairdryer into the bath. Reitman wanted one leg dangling, something very easy if she weren't upside down. At one point, Janosz Poha was not the one to kidnap Oscar. Images have been drawn by me . [9], The additional content replaced some scenes and subplots that were far into completion and contained finished special effects. Directed by Ivan Reitman. [110][111][119][121][116] Groen, who was critical of much of the cast for lackluster performances, said that his "wickedly funny" performance was the film's sole surprising feature. A fiberglass maw was inserted in front of a vacuum tube that sucked the material backward when activated, revealing a mouth. Some of this footage was repurposed into a montage. On Page 4, on the upper right corner of cork board is a contest to win a family trip to Hollywood offered in Australia in 1989 through Ghost in a Can by Coca Cola and BP. [17] A large-scale duplicate of the Statue of Liberty was built on a sound stage but the mock up was purposefully made 30% bigger in order to make the actors more visible. A financially unsuccessful and controversial 2016 series reboot led to renewed efforts on a direct sequel, Ghostbusters: Afterlife, which is scheduled for release in 2021. [17], In the years since the release of the more adult-oriented Ghostbusters, its animated spin-off television series The Real Ghostbusters had become popular with its target child audience. Rudy is reading a Star magazine featuring "Ghostbusters Save Judge" and "Team of Venkman Stantz & Spengler in heroic deed." [13][34] Filming in New York lasted approximately two weeks and consisted mostly of exterior shoots. On Page 4, Dana sees pink Psychomagnotheric Slime on the brick wall obstruction. Ivan Reitman decided the slime should turn into a creature inside the tub. [22], Apogee went to New York for 10 days of plate photography and location work at The Tunnel, a nightclub that featured several 100 feet of abandoned subway track. The tub and slime creature were filmed against a bluescreen. The concept failed to progress for many years because Murray was reluctant to participate. On Page 9, there is a sketch of Vigo on the wall. The polymer shattered. [4][10], In April 1987, Puttnam announced that Ghostbusters II would go into production in November that year without having informed Reitman, who had not yet reviewed the unfinished script. It starts at Dana's apartment building at 325 East 77th Street and heads south to the intersection of East 77th Street and First Avenue where it stopped. He felt this made the film more grounded compared with dealings with gods. Fandom Apps Take your favorite fandoms with you and never miss a beat. D&D Beyond "[125] Much as with the first film, Hudson was disappointed his role was relatively small. The eighth image is from Chapter 24 "A Harbor Chick" when the team looks out from the head of the Statue of Liberty. To create the look of real light being illuminated, another pass was filmed. The resulting imagery of the train was rendered transparent then composited into the live-action plate. [119][121] Kehr said that his performance retained "bright" moments, but he seemed less energetic than in his previous film Scrooged. The track led to the tilted river bed. Wilhelm von Homburg was filmed in front of a bluescreen and then matted over a miniature version of the slimed corridor built by the ILM model shop. Some of the technology and techniques used for Nunzio Scoleri were used for Slimer - the divided head construct, pneumatic jaws, SNARK and a fat suit - a departure from the first movie where he was hand puppeteered. Retrieved from "http://www.gbfans.com/w/index.php?title=Ghostbusters:_Characters&oldid=11211" Ghostbusters II is the 1989 sequel to Ghostbusters (1984) produced and directed by Ivan Reitman. Weird." The stuntwoman who was in place of the Prosecutor when she is carried off by the Scoleri Brothers wore a pair of flying pants and vest with a cable running up her leg to the ceiling track above. On Page 9, in panel 2, behind Egon, is part of the Vigo portrait can be seen. Sean Turner then animated the rippling edge around Hudson. A ghost was also removed from the sequence in which the slime causes ghosts to rise across New York because Reitman felt it was not creepy enough. He wanted to focus on character interaction, believing that was the original film's main draw. Reitman loved them and gave the go-ahead to continue. [111][113][106] Clark lamented that Weaver was underutilized in a stereotypical working mother role. Industrial Light and Magic (ILM) did concept versions for months and Ivan Reitman felt one was too 'Conan the Barbarian' so artists in New York were brought in. The scene of the Ghostbusters and Louis leaving were shot at a side door service entrance at the Biltmore Hotel. In order to have the slime ooze from the mortar joints, above the doors, and all over the exterior, Chuck Gaspar and crew cut slits in the walls, over the doors, and so on then attached hoses connected to tanks that held 8000 gallons of slime. Dr. Janosz Poha is a character in the movie Ghostbusters 2, as well as Ghostbusters: Sanctum of Slime. [165] The film has a score of 56 out of 100 on Metacritic based on 14 critical reviews, indicating "mixed or average reviews". [19][23] Writing for Mashable in 2019, Pravit Chatterjee argues that this theme is more relevant in the contemporary age of social media and hate speech. ILM eventually refused to accept any further alterations. On Page 3, on the table near the Christmas Tree is some Psychomagnotheric Slime as stored by the Ghostbusters in the second movie. On Page 5, visible is the North Moore Street sign, part of the Firehouse's address from the Ghostbusters II invoice prop. The 30th-anniversary version was packaged in a limited-edition steel book cover, and also included Ghostbusters and commentary by Reitman, Aykroyd, and producer Joe Medjuck. On Page 24, in the Psychomagnotheric ectoplasm section, Vigo is mentioned. On Page 20, in panel 3, Peter plays with a Slinkie - a nod to a line about Egon's childhood in Ghostbusters II. The character was instrumental in their liberation but his scenes were cut. Peter Venkman and Louis Tully have elevated roles while Janine Melnitz and Winston Zeddemore are barely present. [77] A scale model of the museum was created because Reitman wanted to be able to show the slime oozing from cracks and seams. [119][116] According to Variety, the film's slime and visuals would appeal to children, while adults could appreciate the witty dialogue. [8] Needless to say the script was not used and ultimately the story gradually changed after Harold Ramis began co-writing. [84][87][88] Shortly before its release, a "major theater chain" executive said they expected Ghostbusters II to make approximately $150 million during its run, behind Indiana Jones and the Last Crusade ($225 million) and Batman ($175 million), and ahead of Lethal Weapon 2 ($100 million). On Page 7, Egon alludes to Ray's Occult Books. In panel 2, on the right are jars of Psychomagnotheric Slime like in Ghostbusters II. [146][147][145] In 2016, A. Bowdoin van Riper wrote that while destruction-heavy films set in New York made before the September 11 terrorist attack had taken on darker, unintended meanings, Ghostbusters II was now more relevant. Concerns were raised such as whether the principals could still carry the sequel because Murray had been away from films for so long and Aykroyd had experienced a series of film failures. 84 1:01:03-1:03:17 1/25/18, Yes Have Some Podcast Ep. The Ghostbusters II VHS was priced at $90 and aimed towards rentals rather than individual purchases. Dana leaves for the art museum while Louis looks for the guys. [7][125] While Columbia did not comment, industry experts believed the film was undone, at least partly, by the combination of Batman attracting teenage audiences and Honey, I Shrunk the Kids taking family audiences. On Page 14, the team strips off their uniforms in response to the. The slime amasses beneath the city as a consequence of negative emotions projected by New Yorkers. During shooting, Ivan Reitman had the actors tilt down even further than usual in order to capture real fear on camera. Pat Meyers helped defined the light beams by placing shards and particulate matter so it looked like real beams. The film failed to replicate the cultural impact and following of Ghostbusters. The pair wanted to convey a message about the consequences of negative human emotions in large cities. The concept of good slime and bad slime had to be expanded on, too. Benson called them "impressive", and Caroll highlighted moments like the ghostly, resurrected Titanic, but she felt that the creatures lacked any real menace. On Page 16, in panel 1, on the right on the screen is a grab from the opening cutscene in the Ghostbusters II Atari video game of Dana holding Oscar in a panic. [54][55], Brown also worked alone to write and produce "We're Back". Dan Aykroyd, Harold Ramis He said that Ghostbusters II offered only slight variations over the original without further developing the characters, and had a "shamelessly" similar ending. On Page 14, as evidenced on the refrigerator, Oscar takes Karate, a nod to the Deutschendorf twins, who are now martial arts instructors for West Coast Martial Arts Academy. Physical effects supervisor Chuck Gaspar mocked up differently colored batches and Reitman settled on pink. When they learned the superhero film Batman was also being released that day, they asked to move to the 16th. [47]. By the time they finished filming, the Scoleri Brothers concept had changed to much that third-scale marionettes on wires could have been used. Smoke was put into the plate, some articulate work was done by animation, and matte paintings of the archway were then added. 1975 bis 1976, an der Filmation Die Rechte hielt 81 ], Contemporary review website... Ii and New Ghostbusters II is on the town, and bulge in the form of Vigo into! 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